Saturday, October 27, 2012
Monday, October 22, 2012
Animalier: The Animal in Contemporary Art
If you happen to be in Oklahoma this next month, be sure to check out Northwestern Oklahoma State University's gallery and exhibition Animalier: The Animal in Contemporary Art.
The term “Animalier” was first used by an art critic as a derisive title for the 19th century sculptor of animal bronzes, Antoine-Louis Barye. The epithet was in keeping with the use of animal names as terms of reproach. The term gradually lost its original contemptuous intention and is used specifically to describe 19th century animal sculptors and broadly to describe any artist who chooses to focus on the animal form. The description of animals, whether symbolic or scientific, has been a concern of artists since the dawn of recorded history.
This exhibition is intended to present a variety of approaches to the concepts concerning the representation of animals in contemporary artistic practice.
I'm proud to exhibit my paintings in this great show. Unfortunately, I will not be there for the reception but I'm sure it's going to be a great event. Info is below if you are interested:
http://www.nwosu.edu/exhibition-animalier-the-animal-in-contemporary-art/6454869
Wherefore art thou
(Vermivora bachmanii, extinct 1962) Female above, male below
2012
Watercolor on paper adhered to canvas
8 X 10 in each
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The term “Animalier” was first used by an art critic as a derisive title for the 19th century sculptor of animal bronzes, Antoine-Louis Barye. The epithet was in keeping with the use of animal names as terms of reproach. The term gradually lost its original contemptuous intention and is used specifically to describe 19th century animal sculptors and broadly to describe any artist who chooses to focus on the animal form. The description of animals, whether symbolic or scientific, has been a concern of artists since the dawn of recorded history.
This exhibition is intended to present a variety of approaches to the concepts concerning the representation of animals in contemporary artistic practice.
I'm proud to exhibit my paintings in this great show. Unfortunately, I will not be there for the reception but I'm sure it's going to be a great event. Info is below if you are interested:
http://www.nwosu.edu/exhibition-animalier-the-animal-in-contemporary-art/6454869
Thursday, October 11, 2012
Background behind "Close Again"
I recently finished a painting that I have been working on and off since I finished school and I feel it deserves some background history and explanation to accompany it. |
In broadest terms, it is a painting of two Carolina Parakeets, or Conuropsis carolinensis, which become extinct in 1918. This colorful parakeet used to be the only native parakeet to North America. In the winter, these birds were far north enough to look like drops of rainbow in a field of snow. The Carolina was an extremely social bird, as most parakeets are, and were seen frequently in large flocks. Due to habitat destruction, hunting, and other factors, this bird is no longer seen in our Midwestern landscape.
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There are a lot of great facts about the Carolina Parakeet: its history, range, habitat, behavior, etc. that are all very fascinating, but this story caught my full attention. So very tragic, and yet so beautiful, these birds and their story. What if, in some other world, these two found each other again? Were able to break that mysterious boundary from living to extinct and be together and close once again? I am not claiming this "place" to be heaven or purgatory or hell or even real, but I believe there has to be somewhere for these birds to be with each other again....somewhere peaceful, yet unclear and forgotten. In this place, the birds are not alive, not dead. It has to be something beyond merely existing....
...I think that is a good place to stop.
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